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Arthur Danto is an American analytic philosopher and art critic who has spent the last half century teaching at Columbia University. He is wideranging in his interests, but his most influential work falls into two areas. Firstly he has been one of the bridges between the two divergent traditions of.
What is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, What Art Is challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning.
There are few philosophers today who engage the art world in the way Arthur C. Danto does. He not only writes about art philosophically and critically, but his philosophy, both in eloquent style and provocative content, has taken shape as a result of an intimate dialogue with contemporary art, beginning with his “Artworld” essay in 1964.
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Rather, they are meant to shed new light on the prevailing discourse. Just as new forms of art often introduce qualities and values that were not considered before and enrich the artworld, as suggested by Arthur Danto, everyday aesthetics proposes to help develop the overall aesthetics discourse by adding new avenues of inquiry. Accordingly.
Social Phenomenology brings together insights from the tradition of phenomenology and recent discussions of collective intentionality. In doing so, it offers a unique account of how consciousness is formative of the social world. That is, how our thinking things to be so can, in some cases, actually make them so. For instance, that the money one uses day in and day out is worth something is.
Pop art is an art movement that emerged in the United Kingdom and the United States during the mid- to late-1950s. The movement presented a challenge to traditions of fine art by including imagery from popular and mass culture, such as advertising, comic books and mundane mass-produced cultural objects. One of its aims is to use images of popular (as opposed to elitist) culture in art.